where the lines of overlap exist so they can be exploited and broken down. Schneemann's fine art begins to blur with her performance, as she moves paint from the traditional canvas to her own skin, and by interacting with those static works, she becomes a living part of them. Asked about the various mediums displayed in the Barbican's retrospective, Johnson says that, "Schneemann didn't see boundaries between 'fine art' and 'performance', rejecting these restrictive categories."
อ่านต่อเพิ่มเติม> โรงเรียนบ้านชัฏหนองหมี
สาระน่ารู้> ฝรั่งเศส
โพสต์โดย : SORA
