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but it was finished by someone else. Yet scientific research undertaken when the museum was closed during the pandemic showed that there was nothing in the under-layers of the painting that was more skilled than anything on top. "At every stage in the painting there was some sort of misunderstanding on the part of the artist, whether it was how finely to grind the pigments or the proper proportions of the materials to use, that created some inherent defects," Wieseman tells BBC Culture






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